Most music software still thinks like hardware — knobs, panels, layouts inherited from machines built around physical constraints. Constraints digital doesn't have.
We start somewhere else.
Vintage sounds aren't the enemy — Marco can do those too, happily. But sound isn't the frontier. Workflow is.
When nothing has to fit on a metal box, the question changes:
What if workflow was the design — and the sound followed?
That changes everything.
It leads to instruments that use space the way only digital can. A random generator that produces musical sounds, not chaos. A tweak system that doesn't just kick off your sound design — it becomes part of the writing itself.
Discovery as a workflow.
Tweaking as a writing tool.
New ideas — like Dualphonic Sync — emerging because the way you make music is finally free to invent them.
Our apps even have first names. Marco. Bruno. They're colourful, a little bit toy-like, and eager to play. Pick one up and it feels inviting from the very first touch.
Every Amici instrument is deep enough for an experienced sound designer, immediate enough for someone touching synthesis for the first time.
Not simplified. Not watered down. Designed to feel alive the moment you touch it.
iOS music has its own future to write.
It should be its own creative world.
